"For as long as I can remember, I have been fascinated by museums — not just as places of looking and learning, but also of listening. To me, the soundscape of a museum resonates with the active sounds of history, the nexus between a museum’s contemporary sonic world and the historical objects housed within it. In my view, these sounds exist in the realms between documentary and drama, awe and aura.
This is the second installment of an ongoing series of psychogeographic sound maps of museums. Several hours of source recordings chronicling my interactions with and observations of every public space in the museum were secretly captured during the spring and summer of 2013, using only the built-in microphones of an Olympus LS-10 portable digital recorder. These sounds were then edited down to a highly composed, but unprocessed, hour-long impossible journey through the Art Institute of Chicago’s original building and its 2009 Renzo Piano-designed Modern Wing addition."
— John Kannenberg